Digital Dialogues : connecting in art and science
(Click here for Proposal)

 


EXHIBITION

Exhibiting Artists:

Gair Dunlop
Chris Campbell watch (quicktime)
Mauricio Duarte-Neira | listen | read
Scott Olszowiec | read
Craig Place

11 – 24 September 2003

AcadiaUniversity Art Gallery
Beveridge Arts Centre
10 Highland Avenue, Wolfville, Nova Scotia

WORKSHOPS

9, 18, 30 September 2003
K.C. Irving Centre Auditorium
23 University Avenue, Wolfville, Nova Scotia

9 October 2003
Patterson Hall Room 308

For more information on workshops see
details inside, visit the website below,
or call 902 - 585 – 1020

EXHIBITION RECEPTION

Thursday, 11 September  7 – 9 p.m.

Acadia University Art Gallery
For Exhibition information call 902 - 585 -1373


Digital Dialogues : connecting in art and science

Interactivity: there's more to it than gaming and instant communication. What can computer
interaction do to enhance human interaction?

This summer an interdisciplinary initiative (Ideas In Residence - Creative Dislocations: Sense of Place and Digital Connections in the Rural Landscape) at Acadia University has been investigating the shifting grounds of collaboration and dialogue in the age of digital media.

New imaging technologies have provided new tools to explore the world around us: they have also enabled new ways to communicate and share this information.

Using an action-research approach to art, dialogues with Acadia faculty have been integrated in an audio-visual interface which allows viewers to access differing perspectives on this vital topic.

Visual materials drawing on the human and natural systems of life around the Bay of Fundy underlie a series of audio sequences on what new media techniques mean for the arts and sciences. Theexhibition in the Art Gallery features a high resolution version of the interface .

The workshop series will take place September 9, 18, 30 and October 9  2003. Some of the issues and ideas brought forward in these dialogues will be expanded and debated.

Audience participation is desirable!


Exhibition Information

About the Exhibition:

Digital Dialogues: connecting in art and    science is an exhibition of works using digital media to explore the dynamics of human activities and environmental change in the Bay of Fundy area, a highly sensitive ecosystem with a rich cultural history.

Artist Curator Gair Dunlop:

Information artist Gair Dunlop’s work covers a wide range of subject matter that varies both in form and content, and is based on inquiry into the relation of identity, place, and the body.

Dunlop’s past exhibits have included internet works, large-scale photographic pieces, and short films, in the UK, Europe, North America and Australia.

Dunlop’s recent work Cumbernauld Town for Tomorrow, is an online exploration of an entropic utopia: www.cumbernauld.nu


Workshop Program

September workshops take place in the
K.C Irving Centre Auditorium

New Communication Technologies – Cultural Politics & the Environment

9 September    4:30 - 6 p.m.

Chair: Michael Leiter, V.P. Academic (on leave) & Department of Psychology

  • Andrew Biro, Canada Research Chair in Environmental Policy & Political Science, “Water Exports, Water Politics, Water Scarcity
  • Edith Callaghan, School of Business, “Environmental Accountability:  Corporate Imagery vs. Corporate Action
  • Cynthia Alexander, Political Science, “Cultural Heritage in the Digital Age: Information &Communication Technologies and First Nations Issues

Discussants:  Gair Dunlop, Visiting Artist/Curator, David Duke, History & Classics

Mapping & New Insights into the Interplay of Nature & Culture

18 September    4:30 - 6 p.m.

Chair: Les Oliver, School of Computer Science

  • Richard Cunningham, English, “Instrumental Images: Early Navigational Texts & early Hypertext
  • Richard Karsten, Mathematics & Statistics, “The Motion of the Ocean:  Imaging Ocean Currents & Environmental Change
  • Bob Maher, David Colville & Tim Webster, Centre for Geographical Sciences, Nova Scotia Community College,  “The Shape of the Land: Linking New
    Aerial Imaging Techniques to Other Forms of Data
  • Robert Pitter, School of Recreation Management and Kinesiology, “Mapping Inequalities:  Socio-cultural Dimensions of Space & Place in Sports & Recreation

Discussants:  Gair Dunlop, Visiting Artist/Curator & Paul Abela, Philosophy

Digital Images & Creative Processes – Visual & Aural Practices in the Sciences & the Arts

30 September    4:30 - 6 p.m.

Chair: Bruce Matthews, Dean of Arts

  • Franklin Mendivil, Mathematics & Statistics, “Get the Picture: Fractals & the Mathematics of Images
  • John Roff, Canada Research Chair in
    Environmental Science & Conservation, “Bioregionalism & the Future: Rethinking
    Boundaries in the Natural World
  • Jim Diamond & John Hansen, School of Computer Science & School of Music, “MusicPath: Digital
    Connections for Music Instruction
  • Jan Marontate, Sociology.  “For a Cultural Future:  the Preservation of Digital Culture

Discussants:  Gair Dunlop, Visiting Artist/Curator & Tom Archibald, Mathematics & Statistics

Imaging Estuaries, Organisms & Molecular Surfaces

9 October    11:30 - 1:30 p.m.
Patterson Hall Room 308

Chair: Cyrus McLatchy, V.P. Academic (acting)

  • Peter Williams, Department of Physics, “Filtering SPM Images - Adventures in Space & Time
  • Glenys Gibson, Biology & Acadia Centre for Materials Analysis, “Digital Microscopy in Biology
  • Graham Daborn, Acadia Centre for Estuarine Research & Biology, “Images of the Coast

Discussant: Thomas Ellis, Dean of Research & Graduate Studies


People

Artist Curator: Gair Dunlop
Academic Co-ordinator: Jan Marontate
Project Manager: Jennifer Bolt
Project Co-ordinator: Janice Hudson
Art Gallery Director: Franziska Kruschen


Dialogue participants:

Cynthia Alexander
Andrew Biro
Edith Callaghan
Richard Cunningham
Graham Daborn
Jim Diamond
Glenys Gibson
John Hansen
Richard Karsten
Bob Maher
Franklin Mendivil
Robert Pitter
John Roff
Peter Williams

Thanks to:

Peter Smith
Bruce Matthews
Scott Olszowiec
Gwen Phillips
Dave Sheehan
Mauricio Duarte-Neira
Nathan Allen
Amber Judge
Elaine Hendricks
Andrew Hankinson
Kaur Singh

With the financial assistance of The Daniel Langlois Foundation for Art, Science, and Technology, support from the Vice-President Academic of Acadia University and the Acadia Institute for Teaching Technology